Tracy McCabe Stewart - Contemporary Fiber

 

I have been crazy busy traveling this summer and working on some personal projects.  I am also working on a piece for a large juried show next month, but can’t post any pictures of it.  It will negate it’s eligibility to the show.

In the meantime, I thought I would introduce you to a fabulous textile artist named Lorraine Roy.  She works out of Canada and I have been following her work for years.  I love Lorraine’s textiles.  Her focus is mainly on trees as subjects these days, but I first got hooked on her work when she was doing cloth representations of patinaed sheet metal.  Unfortunately, she no longer has these pieces on her site, but you can see her gorgeous tree compositions.    They are all a gorgeous mixtures of abstraction and realism; full of  beautiful colors and texture.  They are well work a look.  Enjoy!

I know I haven’t posted in ages.  I’ve been absorbed in revamping my garden.  I downsized my big pond to a smaller one that requires less upkeep.  It involved moving tons of flagstone in the summer heat.  I wasn’t really feeling too creative afterwards. 

I fished this dragonfly out of the pond and he seemed quite content to dry off on my fingertip:

My Pet Dragonfly

Here’s a shot of the new pond.  I dismantled the waterfall, but have water bubbling through this millstone:

New Pond (c) Tracy McCabe Stewart

Three of these cute green frogs moved in the new pond.  So far, my big frogs haven’t returned.  This guy likes to hide in my lotus plant:

Green Frog with a Personal Umbrella

Here’s a couple of shots of parts of my garden.  I have gone heavy on the grasses and shrubs because my Great Dane and other big mutt mow down anything much daintier:

Tiger Eye Sumac, Hibiscus and Grasses (C) Tracy McCabe Stewart

and here’s more grasses in front of my garden shed:

Garden Shed (C) Tracy McCabe Stewart

and a shot of my old pond:

Fish! (c) Tracy McCabe Stewart

and I did manage to put multiple layers of screening on my latest piece.  It combines both regular and metallic paints:

Screened Layers (c) Tracy McCabe Stewart

Here it is with hand dyed silk organza over it.  I like the look; a bit more subtle:

Okay, the rescue wasn’t really all that dramatic.  I did a bit of vat dyeing today.  When I came down to the basement, I had some little toads staring at me through the window wells.  we’ve had rain of biblical proportions the past few weeks and these little guys got washed through the grates.  It seems to happen every time we have really heavy rains here.

Toads!

I finally used a great silk screen that I made at a workshop with the fabulous  Barbara Schneider (I love her workshops!).  The effect was made by dribbling the design goop and letting it drip.  I love the effect.  Here it is on some hand dyed fabric.  I’ll be using this for my latest cave piece:

dribble screened vat dye

and here’s a scarf I screened vat dye on while I was at it:

vat dyed scarf

It’s all one screen, but different colors.

Another layer tomorrow!

 

Cave screen:As you may have noticed, I haven’t gotten a heck of a lot done in the art department over the last few months.  I did revisit a whooping crane piece I’d started before leaving for my trip to Japan, but wasn’t really engaged enough to stick with it when design problems arose.  It is currently in pieces waiting for me to get interested again.

I noticed, over the past few days, that when I thought about starting or working on one of my bird pieces, I’d start drifting away.  Suddenly, any thing else was more interesting:  laundry, walking the dogs, solitaire, you name it.  Interestingly, when I thought about doing some work on my cave series, I began designing and working the logistics of the piece out in my head.  I guess I need a break from the birds for a while.

I began working out fabrics and creating new thermofax screens to use in the piece last night.  I haven’t decided whether this will be a pure fiber piece or a piece that combines fiber and etched copper like my Lascaux pieces:  Horses and Bulls I and II. 

Anyway, here are some of the new screens I made based on the cave paintings in Altimira, Spain and Lascaux and Chauvet, France.

I am going to try to get some screening done over the weekend.  We are getting house stuff done next week (carpeting).  I need to empty out all of our furniture for the job and move it all back again when they are through.  It will be completely chaotic here for most of the week. 

Have a great weekend!

Here are the scarves I started a few days ago.  I will bring them all to Japan and let my daughter choose the one that I give to my daughter’s host mother.  I posted about this yesterday here.

I thought the scarves needed another layer of vat dye, so I screened an indigo and grey mixture over them.  I got better haloes today, too.  I think this one below is my favorite.  There’s a real hot spot from my camera’s flash.  The color is much more even:

Procion MX and vat dyed scarf by Tracy McCabe Stewart

 Here’s the second scarf:

Tree screened scarf by Tracy McCabe Stewart

The final scarf turned out all right, but the new screeend flowers turned out really blurry.  It was all the same vat dye, so I don’t know what happened.  I like the look of it anyway:

Procion and Vat dyed Scarf by Tracy McCabe Stewart

I am headed out for a 10 day trip to Japan this Wednesday.  My daughter has been finishing her last year of university in Kobe and staying with a host family there.  she has a minor in Asian studies. 

Big in Japan is a fun song from the 80′s by Alphaville.  It’s one of the worst music videos ever; complete with Robin Hood sort of outfits that don’t really have much to do with Japan, as far as I can see.  See it here.   We hum it around here because I am 6’2″ and going to the land of 5′ people.  I’m guessing I won’t exactly blend in. 

Right now, I am trying to get gifts together for Ashley’s host  family.  The Japanese have a somewhat complicated ritual of gift giving.  Here’s what I know:  gifts from/related to your geographical location are appreciated.  The presentation is really important, too.  I will wrap my presents in hand dyed fabric to try to make them extra special.  

I am from Chicago, so I am bringing them a book on Frank Lloyd Wright architecture.  I am also making a hand dyed scarf for my daughter’s host mother.   Apparently she wears very plain, dark clothing, so I am trying to do something pretty subdued.  I started by dyeing silk scarves blue grey and screened them with vat dye solution.  Here are the results form the vat dyeing.  They will probably get a layer of fabric paint before they are complete. 

Here’s a picture.  I am having a hard time getting the colors true because the silk is so reflective.  I barely got any haloing on these-too bad.  She wants plain, so I won’t add another design layer, but may screen some paint to make the effect more monochromatic.  

Hand Dyed Scarves by Tracy McCabe Stewart

Here’s the final piece of that reddish egret I’ve been working on:

Reddish Egret (C) 2010 by Tracy McCabe Stewart

“Reddish Egret”

(C)2010 by Tracy McCabe Stewart

Hand dyed silks and cottons, Shiva paintsticks, colored pencil.  Fused, machine quilted.

We are off to Cedarburg, WI for a weekend with our neighbors and to see the fabulous musician, Marcia Ball.  I already have another wading bird piece in the planning stages to begin when I return.

Have a great weekend!

Tracy

Progress on Reddish Egret Piece by Tracy McCabe Stewart

The feathers are all hand dyed fabric, the beak commercial cottons.  On to the body next!

I know I said I would post pictures of my last heron piece, but I don’t like the feet on one of them.  The scale is wrong.  Pictures will have to wait until I fix them.  In the meantime, I am starting a new piece of a preening red egret. 

I am concentrating on wading birds: herons, cranes and egrets for the whole of 2010.  Here’s the next one which is much smaller than the last one!

I decide on the basic positioning of the bird from a photo.  I used the picture as a reference to make sure I have proportions, general outline, and orientation of body parts correct, but pretty much wing it from there.  I usually don’t even make the same kind of bird.  I then freehand draw feather directions,  eye placement, etc.  Here’s my general drawing for this piece.  I think the head is a bit bulbous and the beak is too wide, but I can change the dimensions as I add the feathers:

(very) rough drawing for egret piece

Since I fuse my compositions, rather than piece, I make my general drawing of the bird directly on to batting.  From here I cut and iron on all of the hundreds of individual feathers directly on the batting. 

Here are the basic colors of the bird.  I hand dyed gradations of the colors and will further enhance colors with paintsticks or fabric paint later in the process.  Reddish egrets are a steel blue and rust color with a grey-black beak.  If I follow a triadic color scheme, my background will be a yellow-green or green or red.  None of those sound appealing to me.  I’ll audition fabrics when the bird is done.

hand dyed fabrics for egret piece

More to come as I progress the piece.

I just can’t get enough of taking classes from Barbara Schneider.  She’s a fabulous teacher and I always learn something that I’ll actually use in my work.  This class was no exception.  The focus of Barbara’s class was on expanding uses for thermofax screens and silk screens.

We started out by making oversized thermofax screens.  You’re only limited by the width of the machine, but can make them as long as you care to.  We created frames by cutting one side out of two frames and gluing them together for a larger total opening.  I made some great screens but forgot to take pictures of them.

Barbara also showed us some of her experiments with screens past their prime.  Below, she has created a sewing line to add visual interest.  Good for backgrounds.

Revamping spent screensHere are some of her results using this screen:She also showed us some different effects to create with regular screens:Thermofax screens using a sponge application

Combination of sponge and regular applications

Cheap silk screens

wax resist on silk screen

 She also showed us another method using leaves or other objects (they will get ruined) as a resist and spray painting the screen.  You then remove the objects befor the paint adheres them to the screen.

Leaf resist screens

I had to leave the workshop early, so didn’t actually make any work.  That’s also why there’s no pictures of actual work.

I haven’t had any time to play with this stuff. I have been hunkered down working on a that huge heron piece I started a few months ago.  It’s basically done, but I’m not quite pleased with the head of one of them.  Once I fix it, I’ll post pictures.